The 10 at 10

libya

The New York Observer identified C.I.A. John, the Libyan Revolution’s being filmed by a helmet-cam, and Arnold Schwarzenegger will return to the screen.

The 10 at 10

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The U.S. Women’s National Team beat Brazil, Sarah Palin covers Newsweek, and Murdoch shutters News of the World.

The Best-Scoring Blank Canvas in the Big East

Marshon Brooks

If Marshon Brooks was the second-leading scorer in the country, how come we know so little about his game?

The 10 at 10

*Jul 05 - 00:10*

Nancy Grace is disappointed in you, David Brooks chides his party, and Roger Clemens goes on trial.

Rafa’s Face

Kevin Lincoln’s entry into tennis fandom culminated with Novak Djokovic’s world-beating victory over Rafael Nadal in the Wimbledon final.

The 10 at 10

Same-Sex-Marriage

Legal Gay Marriage, Michele Bachmann, and Myspace

75% of Women Wouldn’t Marry a Jobless Man

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Survey finds that 75% of women wouldn’t marry a man who was unemployed, and 65% wouldn’t wed without a job of their own.

The American Tragedy of David Mamet

Mamet tragedy

David Mamet is either completely obsessed with himself or a total idiot. Which is it?

The Twitter Telegram Man

Vade Mecum

David Horvitz is traveling from San Francisco to Washington D.C. to hand-deliver your tweets. This is why he’s not crazy.

What Would Hemingway Think of Men Today?

hemingway

We spoke with author Marty Beckerman about hunting, sailing, and short-circuiting your liver—the Ernest Hemingway way.

One Man’s Five Friends

five friends

A new documentary considers the emotional significance of male friendship.

The Sun Never Sets on an NBA Rapper: A One-Act Play

shaq

In honor of Shaq’s retirement, let’s take a look back at the NBA’s rich tradition of the player-rapper.

Lady Gaga Shoots for Sainthood

gaga

With Lady Gaga’s new album “Born This Way,” the most fascinating character in pop music has finally succumbed to her own mythology.

The Passion of Odd Future

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Odd Future are one of the most buzzworthy, talented, and controversial young acts in music. Kevin Lincoln considers how their lyrical content—which includes bursts of misogyny and homophobia—should influence the way we listen.