James Olm brings us scenes Four and Five of Act One of Mulberry.
Scene 4. The next morning before sunrise. The milking barn. We hear periodic mooing of cows. Enter Gus with a sleepy Mick. Gus picks up a tin bucket.
Gus
Grab that stool over there.
Mick
Yes sir.
He does what he’s told and they walk over to a cow stall. Gus goes in first and carefully calls to his cow. Mick waits at the edge of the stall.
Gus
It’s okay, Daisy. Morning, Girl.
He pats the cow. “Mooooooo.”
Okay, Mick. Get in here.
Mick
I’m tired.
Gus
Now quit your complaining. You’re lucky this is all you have to do.
Mick
I know.
Gus
Crawling out of your window with your brother last night – I can’t believe you did that. I thought I could count on you to be a little more grown up – to take care of your brother.
Mick
We didn’t do anythin’ wrong.
Gus slams down the pail. The cow moos.
Gus
You sneak out of the house in the middle of the night without permission, dragging your poor younger brother with you, and then you run off on some cockamamie scheme to steal apples from our neighbor’s tree. And now you whine to me that you didn’t do anything wrong?
Mick
It’s just a couple apples.
Gus
This isn’t about a couple apples. This is about growing up. Being responsible. Thinking before doing some crazy ass stunt. You constantly disappoint me, Mick. Finally I thought you were starting to mature.
Mick
I’m sorry, all right?
Gus
Pull up your stool to here. You’ll learn one way or another, even if it has to be at 4:30 in the morning milking cows.
Mick sets the stool down to the side of the cow. Enter Thomas.
Mick
I don’t want to do this.
Gus
You should of thought about that last night. (Seeing Thomas) What do you want?
Thomas
Can I help out?
Gus
You’re a little late for that.
Mick
Can’t we at least use the milker?
Gus
Afraid to get your hands dirty? You gotta start toughening up a bit, Mick.
Mick
I can handle it.
Gus goes across the barn to the cabinet and sink. He gets Vaseline, a pail of warm water, and some soap.
Thomas
How’re you doing?
Mick
Fine.
Gus
Don’t go pandering to ‘im.
Thomas
He’s fourteen years old, pa.
Gus
Exactly. A farmer can’t be weak. You have to get up before the sun rises to milk the cows, and then work all day long in the fields. And then after the sun sets, you have to milk the cows again.
Mick
I know, I know. It’s not like I haven’t heard this before.
Gus
Don’t get smart with me. It’s time you start pulling your own weight.
Thomas
Maybe you should open your eyes and see who he really is.
Gus
Really?
Being A Man:
Gus:
You think that you’re strong?
You think that you’re smart?
You think being a man is a call from the heart?
Just what are you thinking
That makes you believe
You hold life by the reigns and wear fate on your sleeve?
Being a man is much more than a name.
It’s bending cold steel
On an old tractor frame.
It’s pulling a plow
When your horse has gone lame.
That’s what it is in
Being a man.
That’s what it is in
Being a man.
Thomas
It’s not that simple.
Gus
You think so?
Gus takes Thomas’ hands and starts to squeeze them as he sings. Thomas flinches but doesn’t give in. It becomes a fight of wills.
Gus:
Grab hold of these hands.
The cracks are all hard.
The barbed-wire fencing makes hands that are scarred.
You lift bales of hay
Through the sweltering heat
And then you’ll understand how we all must compete.
Mick
Let him go, pa!
Gus lets go of Thomas’ hands.
Gus
Soft.
Gus goes back to prepping the milking. Isolated light to Thomas – alone.
Thomas:
For being a man is much more than a name.
It’s trying to find out
Who to thank – who to blame.
It’s how to come home
And finally stake your own claim,
When pa has drilled the guilt in your brain.
When pa has drilled the guilt in your brain.
Gus walks over to Thomas privately.
Gus – to Thomas
It was a mistake for you to come back. Go back to where you came from. We did just fine without you.
Thomas
I was with them last night, stealing apples over at Strakken’s.
Gus
Get out of here.
Thomas finally turns and leaves.
Gus: (to Mick)
When you’re in the trenches
On Normandy’s shore.
Where the bullets sizzle past and
And the German bombs roar.
Where you question your own courage
As you’re facing death’s door.
You have no choice
But to be a man.
You have no choice
At all
But to be a man.
Gus picks up the pail of soap and water.
Gus
Now, before you milk her, you have to wash the teats. Put a little Vaseline over your hands and then grab a front and a back teat. Slowly squeeze them from the top, then downward into the pail.
Mick
Like this?
Gus
Not bad. You’re doing good.
For being a man is much more than a name.
It’s milking a cow
When your hands feel pain.
It’s taking your punishment
Without any blame.
It’s taking the lead
With our strong, family name.
Mick,
My son,
I know that you can make this the time
A new day began.
A time where you turned the corner
And started being a man.
As Mick continues to milk Daisy, he starts to grimace in pain.
Gus
Hands starting to cramp up?
Mick
No sir. I can milk all of the cows, pa. You can count on me.
He keeps milking, grimacing. Gus looks at his son.
Gus
Let’s get the milking machine.
Mick
Really?
Gus
Yeah, really.
They go together, Gus’ arm around Mick, to get the machine as the lights fade. Moooo. Dark.
♦◊♦
Scene 5. Moments later. Thomas is walking toward the old Miller barn. He is seething.
Thomas
“We did just fine without you.” “Why don’t you go back to where you came from?”
Who does he think he is? God himself? Sometimes I could just scream!
We hear the sounds of a horse’s neigh and then clip-clopping. Enter Grandpa slowly leading an invisible horse to the barn.
Grandpa-pats the horse’s head
Dat yellin’ scare’t Wuppertal.
Thomas
Well, Wuppertal better look out.
Grandpa
Vhat you so angry about?
Thomas
Everything. It’s like one minute I’m trying to help out and then the next minute …
Grandpa
Afraid dat vhat you say might hurt mein feelings?
Thomas
He is your son.
Grandpa
Ach jah, unt fahders are never wrong.
Thomas
Now that’s just plain bunk.
Grandpa
Vhat? You disagree?
It’s a Crime:
Thomas:
Who gave pa the last word in our lives?
Who gave him the sole point of view
Of what we can or cannot do?
This is so absurd that it drives
Me absolutely,
So acutely
Insane!
Who gave pa the gavel to be judge?
Who gave him the lone power of rule
That strips me down and makes me Fool?
He’s a farmer for Christ’s sake!
He’s positively,
So intensely
An ass!
It’s a crime
That he always tries to control us
It’s a crime
That he’s never there to console us.
When we speak of our ambition
And we veer from his tradition,
He explodes with his position
And he grinds us to submission.
When can we choose what lives we live?
This is totally,
Completely,
Entirely,
Wholly,
A crime.
Grandpa
Don’t be an apfel.
Thomas
What?
Grandpa pulls an apple out of his pocket, starts to shine it up.
Grandpa
Wuppertal loves da apfels.
Thomas
Grandpa, you’re talking in stories again.
Grandpa
Dis apfel could feedt Wuppertal. It gives him strength. It gives him satisfaction. But den tomorrow, it goes out Wuppertal’s back end. Ploop. Left behindt. Forgotten. Don’t be apfel to your fahder.
He gives the apple to Thomas.
Come, Wuppertal.
Grandpa starts to leave with the horse.
Thomas
That’s easy for you to say. Wuppertal doesn’t talk back.
Grandpa
No, but I’ve been kicked by him. Right here. (Points to his butt) And you know vhat? It hurt, but I survived. And so did da horse.
Grandpa exits with the horse into the old barn.
Thomas:
It’s a crime
When your father is abusive.
It’s a crime
When the answers are elusive.
When you see that your ambition
Veers away from his tradition,
You must find that ammunition
That’s been lost through your own admission.
When is enough, enough?
It is so totally,
Completely,
Entirely,
Wholly,
A crime.
Thomas looks in Grandpa’s direction, then at the apple. He takes a bite in frustration. Dark.
♦◊♦
Photo by USDAgov/Flickr























“There is a push for women to be their most genuine selves, and yet now there is makeup for men!?”
This is a comment by Cameron Brown on the post “Makeup for Men? Why?”