Tricky’s “Pre-Millenium Tension” drones its way into the mind of A. Darryl Moton
Music: The Perfect Chord From @darrylzero: Tricky
Music: The Perfect Chord from @darrylzero: O.G. Funk
Music: The Perfect Chord from @darrylzero: P.M. Dawn
Music: The Perfect Chord from @darrylzero: The Hard Corps
Music: The Perfect Chord from @darrylzero: The Eric Gales Band
Music: The Perfect Chord from @darrylzero: Che Arthur
Music: The Perfect Chord from @darrylzero: Terence Trent D’Arby
Music: The Perfect Chord from @darrylzero: Digital Underground
Music: The Perfect Chord from @darrylzero: Fishbone
Music: The Perfect Chord from @darrylzero: The Bus Boys
Music: The Perfect Chord from @darrylzero: Dälek
Music: The Perfect Chord from @darrylzero: Nile Rodgers
Music: The Perfect Chord from @darrylzero: 24-7 Spyz
Music: The Perfect Chord from @darrylzero: Bad Brains
Seemingly everyone, from unmistakably top-40 pop bands like No Doubt, Sublime, and Sugar Ray, to rap icons The Beastie Boys, to metal bands The Entombed, Deftones, and Sepultura have overtly proclaimed their fandom; even dance producer Moby and pop-hip hopper Lil’ Jon have shown the band love over the decades, to say nothing of music critics. Despite the band’s remarkably high profile, all of the most effusive praise in the public arena focuses on a mere two albums: the band’s self-titled 1982 debut, and their third album, 1986’s “I Against I.”























“It’s a woman’s job to make her man feel safe — a safe place that doesn’t expect him to do brave things just because he’s a man.”
This is a comment by Kat on the post “A Husband’s Job Is To Create Emotional Safety”.