
Austrian adventurer is making the final preparations to jump from the very edge of space

Snow storms, ketchup crimes, and everything you ever wanted to know about reality: Here’s your February 1 roundup.

It’s amazing how simply data can be represented, but even more amazing how far the world has advanced over the past 200 years. Rosling gives us cause for hope—in more ways than one.
If you’ve always wanted to live on another planet, there is still hope—for your great, great grandchildren. According to a BBC report, Ascension Island, in the middle of the Atlantic Ocean, might hold the key to colonizing the red planet. The information has been around for a while—it just took us more than 150 years [...]

“I want to represent an idea. The idea that if you put your mind to something you can accomplish anything, all you need is a crazy work ethic, faith and perseverance.” — Tyrre Burks

Cameron Conaway insists that this has nothing to do with football and everything to do with what it means to be a good man.

U.S. Army Sergeant First Class Matthew Crowder has learned that he can live alone, but is willing to admit that he would rather be cuddling.

Jamie Reidy agrees that deep-sexing in the workplace doesn’t have to lead to deep-sixing from the workplace

Joanna Schroeder explains that little boys aren’t the only ones who tease because they like someone.

In honor of Lent, Jamie Reidy pledges to give up the same thing he does every year: Nada.

Ken Goldstein talks about how, in the business world, you must not only eat it, but like it.

Joanna Schroeder explains that little boys aren’t the only ones who tease because they like someone.

When I was a sophomore in college, I realized I was unhappy, both with the school I had chosen and the major I was pursuing.

1) The stories will surprise you. 2) The conversation is important. 3) It sure beats a hammer or a tie. Want more reasons to buy The Good Men Project Book? Here you go…

One of our great myths about men is that lust invariably cancels out the empathy.
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“Why have artists abandoned their duty to say the unsayable?”
How does one explain the lack of moral courage in modern art?