Oliver Stone took to discussing his recent film, and how it shouldn’t be misinterpreted based on his intentions. Rich Monetti reviews, and weighs in here.
You can spend the long weekend catching up on the Oscar-nominated movies. You could see one of the new releases — films so wretched they’re tossed into theaters in the dead month of February. Or you could remember all the times Jesse Kornbluth has guided you to pleasure and insight and watch “After the Wedding,” the film he has loved best in this decade.