A mini film by Jacob Sutten
Stuff Guys Do, From The Just Really Cool Department: LED Night Snowboarding
February 21, 2012 By 1 Comment
The World Missed Out On ‘Shame’
January 25, 2012 By 41 Comments
Joanna Schroeder talks about Academy Award nominations gone awry and the complications of male “goodness” in films.
Adults Play, Too: A Movie on a Smartphone
January 10, 2012 By 1 Comment
Many have argued that technology is detrimental to our communication. However, a new short film may prove otherwise.
Telling ‘Her Story’: An Interview With Aaron Au
October 22, 2011 By 6 Comments
Meet Aaron Au: Award-winning stuntman, fight choreographer, producer, director. And on a mission to expose the truths behind human trafficking.
The Genesis of Manhood
September 4, 2011 By 6 Comments
If there’s one film those aspiring to be good men–good fathers and sons–should see this year, it’s Terrence Malick’s ‘The Tree of Life.’
First Look: KINO, by Jürgen Fauth
September 3, 2011 By 2 Comments
They’d been back for three days now and the marriage was off to a rocky start. The reception had been a disaster, the honeymoon was ruined, and Mina was beginning to resent the long hours at the hospital. This was not how she had envisioned her new life.
How Grandpa Learned to Be a Man
June 18, 2011 By 6 Comments
Gary Cooper taught our grandfathers what it meant to be a man. Does the sheriff of ‘High Noon’ still have relevance to today’s man?
Searching for Good Men: A Review of ‘Winter’s Bone’
February 28, 2011 By 2 Comments
Oscar nominated “Winters Bone” is a movie in which men are the MacGuffin.
Man of the Day: Arthur Penn
September 29, 2010 By Leave a Comment
Arthur Penn, the director most famous for the 1967 film Bonnie and Clyde, died of congestive heart failure today, leaving behind a Hollywood legacy that “transformed the American film industry,” and paved the way for such classic films as “The Godfather” and “Tax Driver.” Penn’s poetic take on sex and violence in on the screen—beautifully [...]
Renewed Faith
September 26, 2010 By 15 Comments
Michael Kamber, a photojournalist who covered the war in Iraq, reacts to the Pat Tillman Story.
Vocalyze
“Why have artists abandoned their duty to say the unsayable?”
How does one explain the lack of moral courage in modern art?