
What does the media blitz say about us as men?

The ball player that inspired Haruki Murakami to write speaks with Tom Keiser about going first in the MLB Draft, playing internationally, and what keeps him involved today with the game he loves.

Will Leitch talks to us about founding Deadspin, keeping a safe distance from your favorite teams, and the Saint Louis Cardinals.

What’s it like when the athletes we grew up with begin to retire? Charlie Zegers looks for some answers.

Baseball’s trade deadline always brings some excitement to the MLB’s long summer stretch, but it’s often not worth the hype.

By refusing to let fans participate in ways like uploading game highlights to YouTube, the MLB is limiting the appeal of baseball and its players.

“I want to represent an idea. The idea that if you put your mind to something you can accomplish anything, all you need is a crazy work ethic, faith and perseverance.” — Tyrre Burks

Cameron Conaway insists that this has nothing to do with football and everything to do with what it means to be a good man.

U.S. Army Sergeant First Class Matthew Crowder has learned that he can live alone, but is willing to admit that he would rather be cuddling.

Jamie Reidy agrees that deep-sexing in the workplace doesn’t have to lead to deep-sixing from the workplace

Joanna Schroeder explains that little boys aren’t the only ones who tease because they like someone.

In honor of Lent, Jamie Reidy pledges to give up the same thing he does every year: Nada.

Ken Goldstein talks about how, in the business world, you must not only eat it, but like it.

Joanna Schroeder explains that little boys aren’t the only ones who tease because they like someone.

When I was a sophomore in college, I realized I was unhappy, both with the school I had chosen and the major I was pursuing.

1) The stories will surprise you. 2) The conversation is important. 3) It sure beats a hammer or a tie. Want more reasons to buy The Good Men Project Book? Here you go…

One of our great myths about men is that lust invariably cancels out the empathy.
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“Why have artists abandoned their duty to say the unsayable?”
How does one explain the lack of moral courage in modern art?