The Good Men Project

Under Darkness [Video]

 

By Omeleto

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A young Jewish woman, Faye, is struggling to survive during World War II in Poland, where the Nazis have taken control. But when her family is taken away by German soldiers, she joins the Soviet resistance, where she is immersed in the horrors of war.

When a soldier dies in her car, carrying a photograph, she remembers her recent past, where she pursued her passion for photography, which was also the family business. But her talent was hijacked by the Nazis that took away her family — and in order to keep them alive, she has do what she is ordered.

But when she uncovers visual evidence of what happened to her family — and others who share her Jewish faith — she realizes that she cannot work for the Nazis anymore and escapes. Though she would like to forget what happened, she realizes the power of what she has and the talent she possesses and uses it to document the story of her people and their struggle.

Written and directed by Caroline Friend, this powerful historical short drama is a richly compelling narrative is told with a sweeping sense of craft and storytelling. Based on the true story of Faye Schulman, who was the only photographer to document the Jews’ struggle in Eastern Europe during World War II, it transports viewers back into a chapter of history whose lessons remain sadly relevant, even today.

Rich with shadows and color, the film is undeniably handsome in look and feel, as fitting its artistic main character. But instead of looking nostalgic, its beauty never detracts away from the difficult subject matter, and its visual dynamism, particularly in the camera movement and editing, give it resolutely modern pacing and sense of constant discovery and suspense, driven by Faye’s discovery of the full extent of Nazi persecution.

The storytelling is more complex than typical for a short, spanning multiple time periods and locations, and in many ways, it feels as if a feature-length story has been folded into the short timeframe. But the throughlines and relationships are established with clarity, and the characters are brought to life by a series of fine performances, particularly by lead actor Kally Khourshid in the role of Faye, who must balance the poles of love, loyalty and devastation. Her photography was abused by the Nazis as a weapon in their wartime apparatus, and it also is a potently emotional and painful reminder of her family. But she also remembers just how powerful photographs can be, and re-embraces that part of herself in service of a bigger cause.

When finally revealed, the full scope of the story’s events has a powerful resonance, not just because it is grounded in historical reality, but in its themes of memory, documentation and keeping alive the lessons of past generations. We would like to think that the atrocities of the past will remain in the dustbins of history, but sadly the enmities that Hitler and the Nazis exploited to rise to power still exist today. Faye Schulman’s story and its powerful telling in “Under Darkness” reminds us not to forget the Holocaust. But it also reminds us that people found hope and meaning in the struggle and resistance against oppression, hate and evil — something that remains true for many today.

 

Transcript provided by YouTube:

00:04
[Music]
00:20
i used to be afraid of the dark
00:41
unable to see what was ahead and only
00:44
with a slight memory
00:46
of what was behind
00:49
my brother always said even in darkness
00:53
there is hope for beauty afterwards
00:57
but that time is long gone
01:11
[Music]
01:21
[Music]
01:24
oh
01:30
stay where you are
01:45
[Music]
01:50
i can help please stay
01:57
[Music]
02:06
supplies are short
02:10
we have no room for charity send her
02:11
away
02:16
we need help take me
02:20
my uncle is a doctor i often help him i
02:23
can be of help here
02:25
you have experience i can sow wounds and
02:28
clean scripts
02:31
i can train her please
02:36
sir
02:43
[Music]
02:46
hey
02:54
supplies weight is back to shut down one
02:57
wound
03:06
several weapons
03:30
oh
03:58
hmm
04:00
nothing we can do up there
04:09
death comes to all of us eventually
04:26
family
04:29
you’re a man
04:45
more to the right
04:46
[Music]
04:54
three two
04:57
[Music]
05:08
one
05:10
how did the prince turn out
05:16
they are a little overexposed again
05:22
turned out they were linked right oh
05:24
really
05:28
no developer yeah with so much in short
05:31
supply if
05:32
they could try bromide as a substitute
05:36
my work i’m going to the girls to get
05:40
bread and take the camera mother’s not
05:42
going to like that
05:43
shit one second you should listen to
05:45
mother and father more you know that
05:46
right
05:47
and i do you survive countless wars and
05:50
occupations
05:51
by following orders
05:54
i will see you at the minute hey
06:02
turn out the light would you
06:18
so
06:46
here
06:57
[Music]
07:14
water
07:20
[Music]
07:28
yes
07:31
[Music]
07:33
[Applause]
07:33
[Music]
07:42
hahahahahahaha
07:46
[Music]
07:51
and wikileaks and brings me to rock
08:07
here common street an advance of my
08:10
commando
08:24
we’ve done it so many times how long do
08:26
we have
08:33
what’s happening
08:40
[Music]
08:45
everyone remain calm
08:52
us
08:54
[Music]
09:08
[Music]
09:20
it is not worth the risk
09:22
[Music]
09:34
for
09:37
[Music]
10:30
foreign
10:44
foreign
11:26
so
11:28
[Music]
11:37
[Music]
11:49
[Music]
11:54
oh
11:56
[Music]
12:08
huh
12:10
[Music]
12:36
ugh
12:50
okay
12:55
[Music]
13:00
[Music]
13:12
[Music]
13:18
oh
13:24
[Music]
13:32
all
13:35
[Music]
13:46
[Music]
13:53
[Music]
14:04
[Music]
14:14
oh
14:16
[Music]
14:19
yeah you’re right
14:23
what’s that
14:41
does this photograph not remind you of
14:44
the tragedy
14:46
they live on
14:49
not for me
14:54
it’s for others to see
15:01
[Applause]
15:05
hey take some rest
15:08
i’ll watch you over here
15:38
oh
15:48
[Music]
16:25
[Music]
17:43
i used to be afraid of the dark
17:48
unable to see what was ahead and only
17:51
with a slight memory of what was behind
17:59
but even in the dark there is hope
18:03
taken from memories good and bad
18:10
and i will never forget that
18:15
[Music]
18:40
me
18:42
[Music]
18:46
[Applause]
18:54
to
19:02
[Music]
19:08
me
19:13
when i became a photographer that was my
19:17
job
19:18
this was my life photography
19:22
day or night i can develop the pictures
19:25
even even at ethnical.com to develop the
19:29
pictures but i made it even in the
19:31
daytime
19:32
without the darkroom i covered myself up
19:34
with blankets
19:36
and i developed and i made the developer
19:38
with seven ingredients
19:40
[Music]
19:43
soda bomb you see i remember even
19:47
now this is a picture
19:50
left so to see for hundreds of years i
19:53
think i wanted them to
19:55
know that you should be helpful
19:59
in bad situation you should take care of
20:02
other people
20:26
you

This post was previously published on YouTube.

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Photo credit: Screenshot from video

 

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