Black Panther: Symbolism Explained

Marvel’s Black Panther uses the superhero formula to discuss complex issues of black identity, history and the future. We unpack the film’s potent symbolism.

Support ScreenPrism on Patreon: https://www.patreon.com/user?u=7792695

.

.

Transcript provided by Youtube:

00:05
Marvel has gotten political before
00:07
…but never so profoundly or successfully
00:14
as in Ryan Coogler’s groundbreaking Black Panther.
00:20
The movie does a masterful job
00:21
of discussing complex issues like black identity,
00:25
history, colonialism, technology, globalism vs. isolationism
00:29
and the future —
00:30
[What happens now determines what happens to the rest of the world.]
00:34
but it carries on all these conversations
00:36
through story — it draws on potent symbolism
00:39
and a clash between characters
00:40
who all make compelling cases for their sides.
00:44
We’re used to so many superhero movies where
00:46
it’s pretty clear who’s right and who’s wrong.
00:49
But Black Panther shows the superhero movie’s power
00:51
to actually process layered ethical questions
00:55
through dramatic conflict, without oversimplifying,
00:58
and actually enhancing it’s entertainment value
01:01
through all these nuance and complexity.
01:03
[I hope this movie kind of opens up]
01:06
[all ideas of what a blockbuster is,]
01:08
[what it could be.]
01:09
This is the first Marvel movie
01:10
to feature an almost entirely black cast,
01:12
and it’s breaking all kinds of box office records.
01:15
So the story of T’Challa’s transformation into the black panther
01:19
is truly a historic movie
01:21
whose significance can’t be overstated.
01:23
[My kid, I get to take my kid to go see a black superhero movie.]
01:27
[And he gets to see the image of himself as the man.]
01:31
[I’m not only excited for that, but then Halloween,]
01:33
[I can’t wait to see little white kids]
01:35
[dressing up as Black Panther, man!]
01:37
Before we go on, be sure to hit subscribe,
01:39
and click the bell to get notifications
01:41
on all of our new videos.
01:46
Let’s start by looking at how Black Panther
01:47
captures so much of history and culture through symbolism.
01:51
Wakanda is a country “hidden in plain sight.”
01:54
So this symbolic message is that the world
01:56
is overlooking the power of black people,
01:58
but this power is far greater than the world could ever imagine.
02:01
[It’s a third world country.
02:04
Textiles, shepherds, cool outfits.]
02:06
[All a front.]
02:08
In the post-credits scene at the UN,
02:09
T’Challa is asked what his country
02:11
could possibly have to offer the rest of the world,
02:14
and he smiles knowingly.
02:15
[How much more are you hiding?]
02:19
When Klaue steals Wakanda’s vibranium,
02:21
this has an obvious colonial feel to it —
02:23
vibranium is a valuable natural resource
02:25
and it’s being taken from the country that owns it.
02:28
[They have this natural resource that Wakanda thrives off of,]
02:31
[They mine it, they use it in technology.]
02:33
Klaue is a white South African,
02:35
which reminds us of the history of apartheid
02:37
and the growth in equalities that still exist today
02:39
as a result in South Africa.
02:41
We also get the early scene in the London museum
02:44
where a white woman lectures Erik Killmonger about African artifacts,
02:48
but she gets the origins of key artifact wrong.
02:51
Erik corrects her, and then steals these valuable items,
02:54
but not before reminding her that
02:56
her people stole them to begin with.
02:58
So in all these moments
02:59
the story is urging us not to forget
03:01
how much white society has taken
03:03
and appropriated from black communities.
03:06
And we should be awared that the so-called
03:08
“expert” academic and historical accounts we trust
03:10
are also flawed and incomplete.
03:13
So the film’s implicit historical commentaries
03:15
help us understand Wakanda’s fear of losing everything
03:19
if it reveals itself to the world…
03:21
because we know what colonialism has done
03:23
to so many real countries.
03:24
Wakanda is a vision of what an African country
03:27
could or would be if it wasn’t damaged
03:30
by imperialism and exploitation.
03:32
Black Panther’s multinational cast
03:34
comes from countries including the U.S.
03:38
the UK, Kenya, Guyana, and Tobago.
03:40
And the “superpower” most on display
03:42
in this superhero story is blackness itself.
03:45
[To Be African is to be human.]
03:47
The Wakandanas offer role models
03:49
that young black men and women can look up to
03:50
and aspire to be.
03:52
[When I was a kid,]
03:53
[I got the chance to see Christopher Reeve,]
03:55
[I got the chance to see Michael Keaton,]
03:57
[But I didn’t get a chance to see Chadwick Boseman,]
03:59
[Chadwick Boseman looks like me.]
04:02
[He looks like my son.]
04:04
When Okoye is forced to wear a wig,
04:06
she just wants to get it off her head.
04:08
This white beauty ideal
04:09
is like an uncomfortable costume to her.
04:11
[For the Dora, a big theme for them is the symbolism of their bald head]
04:14
[When they become Dora Milaje they shave their heads]
04:16
[Something that’s present in the comics]
04:18
[And we ran with it in this film]
04:20
[So for her it’s a dishonor for her to cover her bald head.]
04:24
The empowered warriors of Wakanda offer a beauty standard
04:27
that’s based on strength and embracing the natural.
04:30
And this is reflected in the lighting by DP Rachel Morrison.
04:33
The cinematography here helps reverse
04:35
a longstanding industry bias.
04:37
Kodak’s “Shirley cards” —
04:39
used to calibrate their printing —
04:40
only featured pale skin tones for decades.
04:43
Jean-Luc Godard even called Kodak film “racist”
04:46
and refuse to use it to shoot in Mozambique,
04:48
because it was so poorly optimized for dark skin.
04:51
So Morrison’s work in Black Panther —
04:53
together with the images of DPs like Bradford Young,
04:56
Matthew Libatique and James Laxton —
04:58
helps to undo this historical bias
05:00
to use white skin as the default in cinema.
05:04
Morrison makes dark skin tones look absolutely stunning,
05:07
while still going for high-contrast images
05:09
and saturated, vibrant tones.
05:11
But even though the film is
05:12
linking blackness across national borders,
05:15
it’s also acknowledging that black Americans
05:16
have long been deprived of a meaningful connection to Africa.
05:20
They can’t trace their ancestors because of the history of slavery.
05:24
[This spooky thing called slavery happened]
05:26
[and my entire ethnic identity was erased.]
05:28
Erik still has Wakanda inside him —
05:30
but the movie’s showing how being cut off
05:32
from your heritage like this is tragic.
05:35
When T’Challa drinks the heart-shaped herb
05:37
and gets to talk with his father,
05:39
he’s in his beautiful homeland,
05:40
glimpsing all of the black panther ancestors
05:42
that came before him.
05:44
But when Erik gets to visit his father,
05:46
he enters their old apartment in Oakland —
05:48
he sees a TV full of empty static —
05:51
and he had a vision of his father is alone,
05:53
cut off from his ancestors.
05:58
So the central conflict in the movie
06:00
is also this complex relationship
06:02
between Africans and the African diaspora,
06:04
especially African-Americans.
06:06
The movie does something clever
06:08
by initially setting up Klaue
06:10
as the one-dimensional villain
06:12
that we might expect going in.
06:14
But then Klaue is killed and it’s revealed that this story
06:17
is really about the far more
06:18
personal and heartbreaking battle
06:20
between Erik and T’Challa —
06:22
both of whom we feel for immensely.
06:24
One of the reasons the movie works so well
06:26
is that Erik is a villain who’s right.
06:28
His anger is justified.
06:30
[Growing up in the States,]
06:31
[the system of oppression really shaped his trajectory,]
06:34
[lose your entire family,]
06:37
[let that fester and grow into some rage.]
06:42
Even T’Challa actually agrees that
06:45
Erik was terribly wronged by T’Challa’s father and country.
06:48
[Killmonger is complex,]
06:50
[because he’s gotta have a valid point.]
06:53
At the end of the film,
06:55
Erik says he wants to be buried in the ocean,
06:57
like his ancestors who jumped from slave ships
06:59
because they’d rather die than live in bondage.
07:02
It’s important that Erik sees slaves
07:04
as his true ancestors, and not the Wakandans.
07:07
For him, the African and the African-American
07:09
identities are irreparably divided
07:11
by the history of mass enslavement.
07:13
In addition to representing
07:14
the African versus African-American experiences,
07:18
T’Challa and Erik symbolize the historical debate
07:20
between black leaders over whether to achieve progress
07:23
through peace or aggression.
07:25
Philosophically, T’Challa aligns with
07:27
Martin Luther King Jr.’s philosophy of nonviolence,
07:30
and Erik aligns more with
07:31
Malcolm X’s “by any means necessary” outlook,
07:34
which largely inspired the Black Panthers.
07:37
In Erik’s childhood Oakland home we see a poster of Huey Newton,
07:40
the leader of the Black Panthers.
07:42
The Black Panther comic incidentally
07:44
was created slightly before the party was formed,
07:47
although the character of Erik Killmonger was created after.
07:49
Both sides of this debate want the same thing,
07:52
they just have different beliefs about what will achieve the solution,
07:54
and that’s what makes the clash between T’Challa and Erik tragic.
07:58
[It’s my responsibility to make sure that]
08:01
[Wakanda does not fall into the hands of a person like you.]
08:04
The image of the two fighting black panthers
08:06
falling through the air visually captures the wrestling of ideas.
08:11
Erik could have easily been the hero if this were another movie.
08:14
In some ways he is a more interesting
08:16
or dynamic character than T’Challa.
08:18
He wasn’t born a prince —
08:19
he’s actually struggled.
08:20
[He’s so passionate about what he cares,]
08:22
[and he’ll go through any length]
08:25
[to achieve his dreams and his goals.]
08:28
Though Erik has let his anger
08:29
and hatred take over his entire being —
08:32
to the point where he no longer has the capacity
08:34
to create a positive future.
08:36
in the same way Wakanda is
08:37
what an African country could be
08:39
if it weren’t been touched by colonialism,
08:42
T’Challa is what Erik could have been
08:43
if he hadn’t lost his father and grown up
08:45
exposed to suffering, prejudice, and crime.
08:48
But besides Erik’s understanding of social injustice,
08:51
he doesn’t have the qualities
08:52
we look for in a leader…and T’Challa does.
08:54
[You get to decide what kind of king you’re going to be.]
08:59
T’Challa is benevolent and respects women,
09:01
while Erik is authoritarian and violent towards women.
09:04
This is a dealbreaker in a community
09:06
that values women like Wakanda does.
09:08
[In comic books you have these female characters
09:10
that are quite of importance to the country of Wakanda.]
09:12
T’Challa is the right hero for this movie
09:15
because his heart is in the right place
09:17
and he gradually learns how to be a leader,
09:19
rather than coming in with
09:20
a rigid point of view that can’t evolve.
09:22
What’s interesting, though,
09:23
is that in the end T’Challa clearly
09:25
does take some of Erik’s ideas to heart..
09:27
So by the end of the film
09:28
T’Challa’s worldview is the happy medium
09:31
between Erik’s POV and
09:32
his father’s original isolationist nonviolent POV.
09:36
Which means he is basically
09:37
ending up with Nakia’s point of view,
09:39
and doing what she’s been telling him to do all that long.
09:41
It might have been a much shorter movie
09:42
if he’d just listened to his girlfriend!
09:45
In a way the evil history perpetrated
09:47
by white people is the ultimate villain here.
09:49
But because you can’t fight with the past,
09:52
the legacy of that historic evil is reflected
09:55
through the continuing conflicts between black characters.
10:00
A key difference between Black Panther
10:03
and other superhero movies
10:05
is that this is about a community,
10:07
not just one guy.
10:08
[He’s an African king.]
10:09
[His first responsibility is to his people.]
10:13
In most superhero movies,
10:14
the hero has to reconcile private and public identities —
10:18
but here the whole country of Wakanda has to do that.
10:21
[So it’s about Panther, but it feels equal about Wakanda.]
10:24
Black Panther suggests
10:25
that the key to a healthy community
10:27
is balancing tradition and progress.
10:30
That’s what’s so unique about Wakanda:
10:32
at first we see these beautiful, natural landscapes…
10:35
then it’s revealed that we’re looking at
10:36
an extremely advanced city.
10:38
So the film has a theme of afrofuturism —
10:41
it’s offering an optimistic vision of the future
10:43
where black people can determine what’s next for them
10:45
and for the world at large.
10:47
And the only “superpowers” we actually see in this movie
10:50
all come from technology, or from a natural source.
10:53
[You’ve been taking bullets,]
10:54
[charging it up with kinetic energy.]
10:56
So this symbolizes that the keys
10:58
to progress are applied human intellect
11:01
and the gifts of the natural world.
11:03
The film shows that Wakanda is also strong
11:05
because of the black women
11:07
who hold up their community.
11:08
[It’s now or never.]
11:10
And it underlines the importance of a father in a man’s life.
11:13
The disappointing father is something
11:15
of a recurring trope in the Marvel universe.
11:17
[Stark!
11:18
He’s a sickness!]
11:20
[Aw Junior, you’re gonna break your old man’s heart.]
11:25
— but here the question of fathers and sons
11:26
takes on a more profound cultural significance.
11:29
Wakanda emphasizes masculine rites of passage
11:32
and black fathers who are role models.
11:34
Erik has the inverse experience.
11:36
His dad is taken from him unjustly.
11:39
So this symbolizes that systemic social wrongs
11:41
are really to blame for absentee fathers in underserved communities.
11:46
T’Challa realizes through his father’s mistake
11:48
that he has a moral responsibility
11:50
to address the larger world’s problems.
11:53
Also T’challa warns M’Baku
11:55
that if he doesn’t help them,
11:57
then Killmonger will come after the Jabari next.
11:59
That’s a clear warning for us all
12:00
about the importance of caring
12:02
what happens to the communities around us,
12:05
because we’re all much more interconnected
12:06
than we often realize.
12:11
Ultimately in many ways
12:12
this is still a classic Marvel movie.
12:14
It has the traditional hallmarks:
12:16
strength and justice are lauded,
12:18
the hero grapples with daddy issues,
12:20
cool pop-music and pulse-racing fight sequences, and humor.
12:25
[Did he freeze?]
12:26
[Like an antelope in headlights.]
12:28
[You finished?]
12:30
So what’s perhaps most compelling about Black Panther
12:33
is that it fits the whole Marvel superhero formula,
12:36
but it shows what that formula is actually capable of.
12:39
[Let’s go!]
12:41
It infuses this fun blockbuster with a complex villain,
12:44
a deep social commentary,
12:45
and an investigation of the enduring wrongs
12:48
that are the legacy of our shared world history.
12:50
So Black Panther opens the door for other more thoughtful,
12:54
diverse and deep blockbusters to follow in its footsteps.
13:01
[Show-off!]
13:06
It’s hard to believe,
13:07
but Black Panther is only Ryan Coogler’s
13:09
third feature film.
13:11
So today we want to highlight his first feature,
13:14
2013’s Fruitvale Station.
13:16
Fruitvale Station is inspired by the police shooting
13:18
of a man named Oscar Grant.
13:20
It follows Oscar, played by Michael B. Jordan,
13:22
on what he doesn’t know is the last day
13:25
of his life.
13:26
[I’m trying to get back on my feet.
13:27
I really need this job.]
13:28
It’s a really intimate, moving film
13:30
at the punch of 90 minutes long.
13:32
Thanks so much for watching.
13:34
If you’re new, please subscribe
13:35
and hit the bell to get notifications
13:37
for all of our new videos.
13:39
And if you can afford it,
13:40
please consider supporting us on Patreon.
13:43
[Next stop, Fruitvale Station.]

—

This post was previously published on Youtube.
—

You Might Also Like These From The Good Men Project

Compliments Men Want to Hear More Often

Relationships Aren’t Easy, But They’re Worth It

The One Thing Men Want More Than Sex

..A Man’s Kiss Tells You Everything