Big Little Lies taught us some interesting and useful lessons by the end of Season 1. The HBO series, with its star-studded cast including Nicole Kidman, Reese Witherspoon, Laura Dern, Zoe Kravitz and Alexander Skarsgard, is set in Monterey, California, and explores the everyday dilemmas and life-threatening traumas modern women face.
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Transcript provided by Youtube:
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Big Little Lies is a story about how women relate to one another– be it by fighting,
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bonding, or a little bit of both.
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[This is Monterey.
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We pound people with nice.]
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[To death.]
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In the first season, the characters learn some insightful lessons about friendships
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and life that we, too, can internalize.
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If we stop dividing everyone into ‘Us vs. Them’; if we reveal our scary secrets while seeking help
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from friends; and if we give up those ideal images in our head while accepting the choices
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we’ve made; we could all end up united and stronger together having fun on the beach..
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[I’m on your side, woman!]
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So let’s look at some of the lessons we learned from season one of Big Little Lies.
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As we enter Monterey, Jane — the younger, less wealthy, and less polished newcomer –serves
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as a surrogate for us.
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We instantly feel out of place right alongside her, not good enough to be part of this world.
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[You guys are just right. You’re exactly right.
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And for some reason, that makes me feel wrong I guess.]
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The setting of Big Little Lies is an idyllic paradise, and its inhabitants feel a great
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pressure to be as perfect as the view.
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[Sometimes I’m just holding onto this idea of perfection…so tight.
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Something has to give.]
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We get countless shots of a character staring out at a breathtaking vista, holding a glass
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of wine, while unable to appreciate the beauty before her and stuck replaying some stress
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from the day in her mind.
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The characters’ exhausting pursuit of perfection applies to their looks and fearing the loss
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of youth; to their careers and wealth; and to their families and domestic bliss.
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Yet as the show progresses, all of the characters realize that chasing such perfection
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is hurting their hopes for real happiness.
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Madeline thinks she wants something more exciting in her life, but the series reminds us that
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she’s at her happiest with Ed.
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Renata is finally able to relax and make friends once she accepts that she can’t be an infallible
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mother who protects her daughter from all risks.
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Celeste, most of all, has to overcome that siren of perfection because she does appear from
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the outside, appear to have it all. She’s introduced to us as others see her — as the prettiest, richest, smartest
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woman in town with the most handsome husband and a sex life to match.
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So she has to let go of this dearly held image of herself.
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It’s only without her picture-perfect husband that she can finally smile on the beach.
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In the sequence that intercuts Jane’s and Celeste’s very different styles of making
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dinner, the irony is not just that these women have both been attacked by Perry, but also
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that — while Celeste’s life appears so together, she is actually, of all the people
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we’ve met, in the most dire, real peril.
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Jane comes to realize that all these perfect people are anything but, so we should stop judging
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ourselves so harshly and holding ourselves to these impossible standards.
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[You’re not perfect, welcome to the club.
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We’re all fucked up.]
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Of course, the show is encouraging us to feel the same relief of knowing that the rich and
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fabulous aren’t nearly as happy as we might imagine.
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Madeline MacKenzie both brings people together and draws lines in the sand.
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She’s a fiercely loyal, well-intentioned, and generous friend.
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[Well I like you already.
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You’re an intrinsically nice person.]
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But she’s also eager to pick sides and contend with other strong female types:
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[You know, sometimes I think it’s like us against them.
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The career mommies.]
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We’re drawn into Madeline’s ranks, rooting for victory in her war, convinced
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by Madeline to immediately dislike new characters.
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[Okay, Gabby is such a gossip, we don’t like her.]
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Bonnie and Renata are each initially presented as the “other” woman who’s not on our
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side — Bonnie because she’s married to Madeline’s ex, and
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Renata because of her aggressive reaction to her daughter’s getting hurt.
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[Honey, mommy is getting very upset. I’m getting very, very upset.]
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What’s curious about our initial reactions to these characters, though, is that they’re
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both types of women who, in theory, we should be applauding.
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We mimic Madeline’s harsh snap judgments.
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Given our society’s biases, it’s easy for us to dislike a high-powered, strong-minded
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businesswoman.
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But over time, with Madeline, we start to see inside Renata’ view and we realize she’s
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reacting to the pressures of facing a world that resents her.
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[I said I’m not liked….You should’ve seen the way they looked at me today.]
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Her response to her daughter being physically abused in school is actually pretty close to how many scared
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mothers might deal with that problem.
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And Renata wins over Madeline– and us– by proving wise enough to take ownership of her
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mistakes.
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[I’m so sorry.
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I’ve treated you and your little boy so badly.]
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[It’s okay. It takes a really big person to apologize like that.
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You’re a very big person.]
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Bonnie is a character that we really should like from the start, because she’s portrayed
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as a whole person, fulfilled by work and love, and invested in bringing
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people together.
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[We should get Skye and Chloe together for a playdate.
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They’re half sisters -and they pretty much never see each other. It’s ridiculous.]
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[Are they?
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Am I missing the math?]
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But thanks to Madeline, we distrust Bonnie’s seeming perfection and question her motives.
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Near the end, when Bonnie is revealed as Perry’s killer and the group’s savior, we like her
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more because we’ve seen the emotional rawness in her.
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Her positive worldview, which we once smirked at, takes on more depth because
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she’s chosen to look at the world this way. According to the source novel that’s in spite of having
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lived through her father’s abuse of her mother.
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[None of us really sees things as they are.
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We see things as we are.]
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Bonnie’s right, and “we” are trained to divide.
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We’re trained so effectively that categorizing people into an instinctive “Us
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vs. Them” is often an automatic, subconscious impulse.
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The show very intentionally pits us against Bonnie and Renata, only to make us question why we were so eager
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to dislike these women for their strengths.
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Just as the show portrays the horrors of physical violence, it also shows Madeline questioning her
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go-to tactics of participating in verbal and emotional violence, needing to make enemies,
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and approaching life as a competition.
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The key lesson that Celeste and Jane learn is that hiding the truth is what really weakens us.
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It’s only when we let out what we see as our worst secrets that we can be free of them,
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and move on in our lives.
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[We have this…dirty secret.]
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Celeste refuses to accept that she’s a “victim,” so she convinces herself that she can handle
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everything on her own.
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[It’s alright– I’m fine.]
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She obscures the truth from the doctor…
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[Are we talking about a physical expression of anger?]
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[No.]
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…and she completely alters the reality when explaining it to her closest friend.
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[Sometimes I think that he likes to fight because it leads to sex.
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Sometimes I think I like it too.]
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[I have to say, Celeste, that sounds a little bit twisted…but kinda great too.]
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Yet Celeste can’t get herself out of danger just through private stoicism.
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And it’s only when Celeste’s big secret is thrust into public view that she can finally
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live without fear.
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Jane — the victim of abuse from the same man — shares Celeste’s instinct to hide the
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trauma she’s experienced.
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She’s a personal foil to Madeline in that Jane’s go-to strategy is to stay out of things.
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The first time we see her, she’s hesitant to get our of her car and help Madeline.
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[Should we make sure the lady’s okay?]
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[Yeah.]
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But she realizes that she needs to set a good example for her son Ziggy.
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Jane has to fight her instinctive isolation –and in doing so she gains allies and a richer
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life.
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As she succeeds in being more socially open, she meanwhile learns to stop running from her emotions,
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and owns her anger and sadness about what happened to her .
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[Have you talked to anybody about this, like a therapist or a counselor?]
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[You’re the first person I’ve ever told.]
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Significantly, once she tells Madeline about Ziggy’s father, she’s suddenly able to
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notice men and imagine new relationships.
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[Ever since I told you about Ziggy’s dad, it’s like this thing that’s been happening to my body.
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Like it’s wanting to wake up again or something.]
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Both Celeste and Jane gets support from their allies in the climactic final battle of the first season,
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illustrating that what can ultimately save us is to open up and allow others to help.
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The closing montage of Big Little Lies suggests that contentment is within our reach, if we
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learn to accept the choices we’ve made.
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In therapy terms, this is called Radical Acceptance: which basically means being okay with reality as it is,
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and not worrying about what you can’t change.
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Madeline is initially shown to be unfulfilled by her role as a stay-at-home mom.
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[You have a another chapter, you have a business. I don’t. I’m a mom. This is my universe.]
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Her anger toward her enemies isn’t just about what they’ve done to wrong her,
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but also betrays her insecurities and fears of inadequacy.
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She can relate to Celeste, who gave up her career to raise her family, but these
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other women represent a life path that Madeline wonders if she should have taken.
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And because Madeline worries that she’s made the wrong choices, she lashes out with self-destructive
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behavior.
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Madeline and Celeste both feel great relief when they acknowledge to each other that — as
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much as they love their children — motherhood doesn’t fill their every need
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and it can’t be their whole lives.
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[I feel so ashamed for saying this, but being a mother is not enough for me. It’s just not.]
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Meanwhile, Renata also questions whether she’s made a mistake through the opposite choice:
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prioritizing career over full-time childcare.
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[What kind of person chooses to work.
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Certainly not a mother.
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By any acceptable standards.]
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Both women might envy the other for making the “right choices,” but the story teaches
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that there is no such thing.
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Any path is going to have downsides, and neither parenting nor career success in itself is
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going to be everything.
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The show suggests that the happiness
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we can enjoy comes from togetherness, accepting our choices and our limits, and not being
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a slave to impossible expectations of perfection.
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Our joy in life might not be where we expected to find it.
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If there’s one all-inclusive lesson that Big Little Lies’ first season boils down
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to, it’s that we should help each other and bond together.
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Because even though one villain is gone, the voyeuristic final shot implies a new threat
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rising against the women of Monterey.
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[Who knows what lies out there beneath the surface.]
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[Monsters?]
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[Monsters, maybe.
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Dreams.
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Sunken treasures.
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It’s the great unknown.]
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This post was previously published on Youtube.
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Photo credit: Screenshot from video

