
I was sitting across from someone new. He was attractive in a way that arrived and then stayed at the same distance, which should have been information but which I was treating as a kind of weather I hadn’t yet learned to read.
I could feel my old instinct warming up — the one that adjusts the temperature so everything stays flattering and manageable. The instinct that has done a significant amount of unpaid labor in my life and never once put in for overtime.
Then something else arrived. Plain, untheatrical, arriving in my chest before my mind had a name for it. Boredom.
The shock was specific. My body had stopped performing interest it didn’t have, and I noticed the stopping before I noticed the absence of the interest itself. That gap — between what the instinct was prepared to do and what the body declined to produce — was a diagnostic. It told me how long I had been filling that gap manually, keeping the warmth running through will rather than response, and calling the effort attentiveness.
The Low-Maintenance Speech
For years, the wrong person felt like possibility. Inconsistency arrived as intrigue. Scarcity produced value. Half-effort became a project I could complete if I were patient enough, perceptive enough, and willing to do the interpretive work that would eventually convert ambiguity into arrival. I paid for the small hits of dopamine that came from decoding someone correctly and called it chemistry because “transaction” sounds too bleak when you are in the middle of one.
What you do instead is rename. You stay because you have reclassified what you are receiving. Patience. Maturity. Not needing much. The low-maintenance identity, worn as evidence of emotional sophistication while somewhere underneath it your actual requirements are quietly eating through the floor.
I know the delivery of that speech from the inside. The voice is calm, slightly self-deprecating, and privately proud.
I’m easy, I don’t need a lot, I’m not one of those people.
The subtext running underneath in smaller print: please keep me. The performance is thorough enough that you begin to believe the character you’re playing. You stop noticing the hunger because you’ve reframed hunger as excess, as the kind of neediness that drives people away, as the evidence that you haven’t yet learned to want appropriately little.
The man sitting across from me that evening had done nothing wrong. He was fine, warm enough, present enough, offering the particular quantum of attention that keeps a person from leaving without providing enough to constitute arrival.
I had sat across from that arrangement before and made a project of the gap—investing more interpretation into the distance between what was offered and what I needed, as if enough careful reading would eventually make the math work. It never did. The shortfall remained. I just stopped mentioning it, and eventually stopped noticing it, and eventually called that peace.
The Deleted Message
There was a thread, late at night, that had gone quiet in the specific way threads go quiet when someone has decided you are optional. The quiet was architectural—the kind built through consistent small choices about response time and availability and whether to volunteer information. I was looking at the thread and composing a message. Four words: I miss that too. Cursor blinking at the end.
I could feel exactly where it would lead. Three days of warmth, a week of careful re-approach, the same rooms reassembling themselves around the same dynamic: me doing the structural labor, him doing the visiting. I had read that chapter before. I knew its pacing, its specific combination of intermittent warmth and managed distance, the way it ended each time in the same place while presenting itself as still in progress.
I deleted the message. The next morning I replied with something kind and finished the conversation.
That was the whole event. Just the flat exhaustion of recognizing a familiar chapter and being too tired to transcribe it again. Depletion turned out to be sufficient. The body stopped performing the hunger it no longer had. It stayed seated and said no through attrition, which is less quotable but more accurate about how these things actually move.
What the Instinct Was Protecting
The boredom I felt sitting across from the new man was not a symptom of having become cold or defended or someone who no longer knew how to want. It was the absence of the old management work. I was not running the temperature adjustment. I was not converting his flatness into potential through careful narrative. I was just there, in the room, and the room contained what it contained, and I was bored.
That experience is harder to trust than it sounds. The low-maintenance character I had played for years was not arbitrary—it was a solution to a real problem. If wanting things cost you relationships early enough, you learn to present your needs as optional. You get very good at converting appetite into something that photographs better: selectivity, patience, the appearance of someone who has simply decided that most things aren’t worth wanting. The character keeps you in rooms. The character keeps you chosen, provisionally, by men who prefer a person who asks for little.
What the character costs is the boredom. The accurate, useful, physiological signal that this particular room is not worth staying in. You can’t run the management work and receive the signal simultaneously. The instinct that keeps everything flattering is the same instinct that prevents you from feeling when flattering has become the only thing happening.
The man across the table eventually excused himself to check his phone. I finished my drink. I did not schedule a second meeting. I walked home on a wet street in March thinking about the deleted message and the thread gone quiet and the years of careful adjustments, and I did not produce a conclusion about any of it. The conclusion wasn’t the point. The walk home was what it was.
This essay is part of a larger body of work exploring intimacy, performance, and aftermath.
TERMS OF LIVING: Aftertaste of Modern Dating
Amazon.com: TERMS OF LIVING: Aftertaste of Modern Dating eBook: Filmore, Aleks: Kindle Store
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About me
I write about queer love, aftermath, and the psychology of staying too long. My debut memoir, The Worst Boyfriends Ever, hit #1 on Amazon. My upcoming book, Terms of Living: The Aftertaste of Modern Love (March 27), explores what lingers when a relationship ends cleanly on paper and remains unfinished inside the body.
You can find me also at aleksfilmore.com or aleksfilmore.substack.com
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This post was previously published on medium.com.
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