
I was in the grocery store when it happened the first time.
I reached for the wrong brand of rice — wrong, meaning the one Emeka had once said was inferior, in that precise, quiet way he had of stating preferences as facts — and my hand actually hesitated. Mid-air. Over a bag of rice in a store Emeka had never visited, in a week Emeka did not know the details of, roughly six months after I had driven away from his apartment with one bag and a chest full of static.
My hand hesitated because some part of me was still running the calculation. Still checking. Still asking: would this be acceptable?
I stood in that grocery store aisle for longer than any sane person stands in a grocery store aisle. Then I picked up the rice. The wrong rice. And I felt something shift underneath me — quiet, unannounced, like a door in a house you’ve lived in for years that you suddenly notice has been open the whole time.
That was the first day I understood what approval-seeking had actually cost me. Not what it had cost me during the relationship. What it had cost me after.
Because here is the thing about spending two years calibrating yourself to a man who moved the target every time you got close to it: you don’t stop calibrating when you leave. The calibration is still running. It’s just running in an empty room, checking for a signal from a transmitter you’ve already switched off.
These are the ten things that changed when I finally noticed the signal was gone.
You stop explaining yourself before anyone has asked for an explanation
The first thing I noticed was how much I prefaced.
Before Emeka, I did not begin sentences with “I know this sounds strange, but — “ or “I might be wrong about this, but — “ or “This is probably nothing, but — .” I have a text message from Ifeoma — a close friend who had left her own difficult relationship the year before and now had very little patience for what she called my verbal soft-pedalling — from about eight months after I left. It says, simply: You said “I might be wrong” four times in that voice note. You were not wrong about any of them.
Seeking approval from someone who never gave it teaches you to pre-emptively discredit your own perception. You learn to offer the concession before anyone asks. You hand them the argument against you on the way into every room, so they can’t use it against you later.
When I stopped seeking Emeka’s approval — stopped checking, stopped running the calculation — the preambles started disappearing. Slowly. Then quickly. I started saying what I meant in the first sentence. Not the fourth.
You stop monitoring the emotional temperature of every room you walk into
I can tell you the exact sequence of signals I used to read when I walked into Emeka’s apartment.
Shoes by the door or in the corner. Volume of whatever was on his laptop. Whether he said my name or didn’t say it. Whether he looked up. I read those four things in the first eight seconds of every visit, for approximately two years, and organised the next several hours around what I found.
You learned to read weather in a room. The problem is you’re still doing it in rooms where there’s no storm coming.
My second therapist — a somatic practitioner I started seeing four months after leaving — said something that I wrote down and still have somewhere. She was correct. I walked into my sister’s kitchen for weeks and clocked whether she was happy before I said good morning. I did it with my manager at work. I did it on video calls with Ngozi — my closest friend, who had tried the hardest to understand what was happening with Emeka and mostly hadn’t been able to.
When I stopped seeking approval, the monitoring got quieter. Then it stopped. I started walking into rooms as a person who lived in them, rather than as a person assessing whether the room would allow her to breathe.
You finish a sentence without changing its meaning in the middle
This one took the longest. I don’t have a clean turning-point story for it.
What I know is that I used to start sentences with one intention and end them with another, because somewhere in the middle of speaking I would catch myself and recalibrate. I would feel the sentence going somewhere Emeka wouldn’t like — even when Emeka was not in the room — and I would steer it away. The sentence that arrived was rarely the sentence I had intended to say.
Ifeoma once told me I was the most indirect communicator she had ever met. She said this gently, but she said it. I didn’t tell her that I had learned it specifically, in a specific apartment, across a specific set of conversations where directness had very specific consequences. I didn’t have the word for what I had learned yet.
When the approval-seeking quieted, the sentences started arriving where I had sent them. I would begin a thought and end the same thought. It sounds like a small thing. It is not a small thing.
You stop reading his silence as information about your behaviour
Emeka’s silences were instructions. I learned to read them the way you learn to read weather — what kind, how long, what it would cost to wait it out versus try to move it.
The silence that meant he was processing something and would speak when he was ready. The silence that meant something I had done had registered and would be revisited later. The silence that meant nothing had penetrated and I should try a different approach. I could distinguish all three. I had developed a taxonomy.
My first therapist — a trauma specialist — told me this was a survival mechanism. The word she used was hypervigilance. I had been hypervigilant in Emeka’s presence so long that I had started applying it to absences. His silence was still information. I was just receiving a transmission he had stopped sending.
When I stopped seeking his approval, the silences stopped meaning things. Regular silences — the ordinary, neutral silences of people who are not trying to tell you something — started being legible as silence again. I would sit in my small apartment, which had stopped smelling like someone else’s life by then, and the quiet was just quiet.
You start wanting things without an internal approval process
There was a pair of earrings I did not buy for eleven months.
I walked past them in a market, picked them up, put them down. They were large. Loud. The kind of thing Emeka had a way of describing as a lot. I did not buy them because some part of me was still consulting a panel that no longer existed.
The approval-seeking — when it was active — worked as an internal committee. Every decision went through the committee first. What will he think. Will this require a conversation. Is this worth the energy of defending. The committee was very efficient. It killed a lot of wants before they became actions.
Chinwe, my cousin, noticed before I did. She said something at a family gathering — Chinwe has a directness that I have always slightly envied — something like: You used to have opinions about things. Where did they go?
I went back to the market. The earrings were still there. I bought them. I wore them to meet Ifeoma for coffee. She said nothing about them, which was exactly the right response, because normal earrings in normal life do not require commentary.
You stop over-explaining when you say no
I said no to an invitation once and then sent three follow-up messages explaining why.
I clocked it about halfway through the second one. Thought: who is this explanation for? The person I had declined was a colleague, not Emeka. The colleague had simply said no worries and moved on. I was still constructing my defence.
Approval-seeking teaches you that a no is a problem to be managed, not information to be received. You hand the no over with a full case file — the reasons, the precedents, the evidence that you are still a good person who said no for good reasons this one time. You perform the no’s harmlessness before anyone has accused it of anything.
When I stopped, the explanations got shorter. Then they became one sentence. Then sometimes just the no.
I understand this will take some people longer. I am still working on it in certain rooms. But I notice the difference now between a genuine explanation and a pre-emptive apology dressed as one.
You start receiving kindness without looking for the catch
Funmilayo — my friend who had listened most patiently during the years I was with Emeka, in a way that I never properly thanked her for — brought me food the week I moved into my apartment. Just appeared at the door with food, the way she does. Said nothing about it. Stayed for an hour. Left.
I spent the rest of the evening trying to work out what she needed.
That sounds terrible written down. It didn’t feel terrible — it felt like ordinary caution. It felt like basic sense. You do not receive a kindness without understanding its architecture. You do not accept a thing without knowing what it will cost you later.
With Emeka, generosity was intermittent and meaningful. A gift was not just a gift. A good evening was not just a good evening. Every warm moment had a structure underneath it, and the structure had implications. I learned to look for the implications. It kept me safe.
Funmilayo brought me food because she is a person who brings people food. That’s it. There was no subtext. There was no later.
When I stopped seeking approval — when I stopped running the calculation — I started being able to accept a thing for what it presented itself as. Not always. Not immediately. But I started being able to stay in the kindness long enough to find out whether it had teeth.
Usually it didn’t.
You stop rehearsing conversations before they happen
The conversations I had with Emeka before I had them with Emeka were extensive.
In the shower. In the car. Lying on my side at 2am, going through the scenario, planning the words, anticipating the pivot, preparing the response to the pivot, preparing the response to the response. By the time I had any conversation with Emeka I had already had it four times in a version where I had control of both sides.
My third therapist — the general one, the third I tried, who I almost didn’t bother with — described this as an attempt to create psychological safety through pre-emptive control. What she meant, in less careful language, was: I had learned that surprise was dangerous. Anything I hadn’t prepared for could be used in a direction I couldn’t predict. So I prepared for everything.
When I stopped seeking Emeka’s approval, the rehearsals became shorter. I still plan for difficult conversations — I don’t think that goes away entirely. But the planning became logistical rather than defensive. I stopped trying to script his lines. I started just thinking about mine.
You stop shrinking your good news
I got a commendation at work — one of those things that is quietly significant and that I would have once told Emeka about carefully.
Not carefully because he was unkind about my professional life. Carefully because there was a pattern I had identified without having a word for it: he was warmer when things were not going well for me. The commendations, the small victories, the moments when something had gone right — those required management. A kind of careful underplaying. Not this great thing happened but a thing happened, it’s fine, how was your day?
I told Ngozi about the commendation without underplaying it. I said: I got this, it’s significant, I’m pleased. Just like that. She said she was proud of me. The conversation lasted about four minutes and nothing bad happened.
I understood something that week — something my first therapist had been pointing me toward for several sessions — about how much energy I had spent managing the emotional temperature of my own good news. Making sure it wasn’t too good. Making sure it didn’t make anyone have to feel something uncomfortable.
When I stopped seeking approval, the good news became speakable at full volume.
You stop waiting to feel like yourself again and start noticing you already are
This is the one I did not expect.
I thought being myself again would announce itself. I thought there would be a morning where I woke up and something had clicked back into place and I would recognise the version of me that existed before the relationship as the version I was living in again.
It did not happen like that. What happened was smaller and stranger.
I bought the wrong rice. I wore the loud earrings. I said no without a case file. I sat with Funmilayo’s kindness long enough to feel it rather than interrogate it. I told someone good news at full volume. I walked into a room without reading the weather.
None of those things felt like recovery. They felt like ordinary life. Which is, I think, exactly the point.
The approval-seeking had made the ordinary into a performance. Every small decision went through a process that was supposed to be invisible but required enormous continuous effort. When the process quieted, the ordinary became accessible again — not as something I had returned to, but as something I was simply doing.
I was in the coffee shop I go to, the one with two tables by the window that always smells like the same roast. I was just sitting. Not monitoring anything. Not rehearsing. Not running a calculation.
And I thought: this is what it was supposed to feel like the whole time.
The word for what had been taken from me was not happiness, or confidence, or self-esteem. Those are the words I would have used two years ago.
The word is access. Emeka had access to my ordinary life — to the grocery store decisions, the sentence endings, the good news I spoke quietly — and I had been paying the access fee every day without knowing there was a fee, without knowing there was a word for the thing being charged.
There is a word. There has always been a word.
I just needed it to arrive.
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This post was previously published on medium.com.
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Photo credit: Saeed Isavy on Unsplash