Lawrence Hill is one of Canada’s most distinguished and published authors. In this extensive interview, we discuss everything in Hill’s purview. In his words, “I have to say that I don’t think I’ve ever been interviewed by somebody who had such a profound grasp of such a wide variety of things that I’ve shared, written, or spoken about whether they are personal, professional or things to do with my books or my family life.” This series will explore his life and philosophy, just for you, part 2.
Scott Douglas Jacobsen: I’m thinking about your mother reading these stories each day to you. Was there a common author for each night?
Lawrence Hill: She read one a lot. I memorized it. It is by A.A. Milne. One of her favourite poems that we memorized quite young called Disobedience. It says:
…James James Said to his Mother,
“Mother,” he said, said he;
“You must never go down
to the end of the town,
if you don’t go down with me…
On it goes, it is this crazy story about a woman who loses it. It is quite a story.
(Laugh)
Jacobsen: (Laugh)
Hill: It is quite a dark story, actually. Also, it is playful, language-wise. Of course, we ate up Dr. Seuss. The crazier and more playful the language, the better.
Jacobsen: Following that influence from the first professional writer that you met, you were a journalist for The Winnipeg Free Press and The Globe and Mail. How did the time as a journalist at these publications inform the work writing to date?
Hill: It helped me learn, quickly. I learned to edit myself. I was able to call people ‘out of the blue’ and say, “Hey, there’s something I need to understand. You’re apparently an expert in the field. Can you explain it to me?” It made me feel confident approaching strangers and asking them to help me get my head around things that I needed to know as a novelist.
I also learned that words aren’t sacrosanct. That is, my world wouldn’t come to an end if people altered words of mine. I realized everyone can be edited. First and foremost, we can edit ourselves. I learned to write more rapidly and to allow the natural rhythms of thought to percolate unfettered onto the page, and then to come back and edit myself. Those lessons come from journalism.
Jacobsen: Would you consider self-editing one of the most important skills for writers?
Hill: Certainly, it is for me. Unless you’re born Mozart, your first drafts will be sloppy. Mine certainly are, so I have to rewrite my work and work it into shape. Editing is fundamental to progressing through the drafts of a novel.
Jacobsen: How many drafts?
Hill: In a novel, I easily work through ten drafts.
Jacobsen: Now, back to the family, your brother, Dan Hill, is a singer-songwriter. Has this relationship influenced professional work at all?
Hill: First, it influenced me as a person, which influenced professional work in every imaginable way. He is (and was) totally passionate with art. He lived for it. It was exciting to see my brother as an artist doing his thing.
I could see the personal fulfillment for him. It normalized the possibility of achievement in the arts. The idea of going for it, pursuing the dream, and believing in its achievability. His most important influence: being there, seeing him, and showing the possibility for me too.
Jacobsen: Any recommended songs by him for listening pleasure? Songs that you enjoy by your brother.
Hill: I love the song Hold On. It came out in the 70s.
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Original Publication (1, 2, 3, and 4) in www.in-sightjournal.com.
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Photo Credit: Getty Images