We often look down on people who take things too literally, but Rick and Morty’s most hilarious jokes are derived from being “literal.” Here’s how to think like Rick.
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Transcript provided by Youtube:
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We often look down on people who take things too literally, but some of Rick and Morty’s
00:18
most hilarious jokes are derived from being “literal”
00:22
[“Well then get your shit together! Get it all together and put it in a backpack. All your shit. So it’s together.”]
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— taking a sci-fi trope and
00:30
interpreting it literally, picking apart “common knowledge,” and taking a concept all the
00:35
way to its logical conclusion.
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[“Fighting continues as the dog army
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captures the Eastern Seaboard.
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It appears clear at this time
00:43
that the era of human superiority
00:45
has come to a bitter end.”]
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Matching a scientist’s thought process, the show takes conventional story clichés,
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and everything we generally assume, and unpacks them with a thorough, defiantly literal mind.
00:59
The result, besides being funny, teaches us to break our habit of processing our lives
01:03
through assumptions.
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It teaches us to think like Rick.
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[“Oh you agree, huh? You like that Red Green Grumbolt reference?
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Well, guess what? I made him up.
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You really are your father’s children. Think for yourselves. Don’t be sheep.”]
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Instead of allowing viewers to watch in a placid, Jerry-like oblivion, the show’s
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genius for being literal pushes us to look at the world more like Rick does — questioning
01:24
everything, avoiding assumptions, and trying to perceive the many-layered complexity life
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has to offer.
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[“Life is effort and I’ll stop when I die!”]
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The show asks, for example, what if a telepathic cloud actually existed?
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How would this cloud be able to untangle the thoughts it hears and understand which thought
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relates to which human words?
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[“I communicate through what you call
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Jessica’s feet. No…telepathy.”]
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Or, would a Frankenstein monster share the personalities of all the people whose body
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parts it was made of?
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Then, if this were a monster made up of half Abraham Lincoln and half Hitler, how would
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it reconcile the conflicting values it has?
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[“I definitely think that all men are created equal…
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…but at the same time…”]
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To think like Rick it’s necessary to master something called “First Principles Thinking”.
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[“First Principles is kind of a physics way of
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looking at the world
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and what that really means is
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you kind of boil things down to the most fundamental
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truths and say, okay,
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what are we sure is true, or
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as sure as possible is true,
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and then reason up from there.”]
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In our daily life we almost never think this way, instead we mostly think by analogy.
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For example, if we see this – we make a snap decision – because we’ve seen this before
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— it’s round, it’s red, it’s shiny –it’s an apple!
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But what if it’s not an apple?
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Past experience lets us jump to instant conclusions and we do this thousands of times a day, almost
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every time we have a thought about anything.
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Thinking by analogy saves our brains a lot of time and effort
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[“We reason by analogy. It’s…we’re doing this because
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it’s like something else that was done, or it’s like what other people are doing.”]
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…but it also stops us from
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discovering anything new.
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If we thought by analogy 100% of the time we would still be traveling like this.
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[“Nobody wants a car because horses are great and we’re used to them and they can eat grass
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and there’s lots of grass all over the place and, y’know, there’s not, like, there’s no gasoline
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that people can buy so people are never gonna get cars.
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People did say that.”]
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Rick tries to make his grandkids avoid the mistakes of thinking by analogy
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[“This seems kinda fancy.”
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“Jerry, for all you know this is the equivalent of an alien truck stop. You have no frame of reference.”]
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and in many ways the show does
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the same thing for us.
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By evaluating sci-fi possibilities without skipping over the awkward details, Rick and
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Morty mimics the comprehensive process of a scientific thought experiment.
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Most of the stories we watch are full of clichés and conventions that don’t make any sense
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but that we happily accept because we’re so used to seeing them.
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Just like Rick, the show never misses an opportunity to point out ineptitude or logical errors
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in classic sci-fi stories and other movies it references.
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[“It’s just like that movie that you keep crowing about.” “Are you talking about Inception?”]
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“That’s right Morty. This is gonna be a lot like that except, y’know, it’s gonna make sense.”]
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In “Anatomy Park” we see how implausible it is that in many sci-fi movies, there is
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a character who willingly steps forward and sacrifices his or her own life for the good of the team
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[“There’s no autopilot. One of us will have to stay here and operate it manually.
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When Rick and Morty meet Scary Terry,
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[“Welcome to your nightmare, bitch!”]
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a B-list Freddy Krueger,
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they point out a pretty glaring issue with horror movies in general by taking the
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sentence at its word: [“He keeps saying we can run but we can’t hide. I say we try hiding”]
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They also point out the issues a number of films have with vampire naming conventions
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[“Coach Feratu’s presence was discovered by the humans. He has been destroyed.”
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“No bother. The mortals shall soon–I’m sorry, what did you say his name was?”]
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In “M. Night Shaym-Aliens”, they point out a problem with director M. Night Shyamalan’s
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trademark twists — they aren’t always that cool, especially if we know they’re coming,
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like we do when we go to see a Shyamalan film.
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[“Oh, this is going to be such a mind fuck!”]
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Rick finds out he is in a simulation, then it turns out he was in a simulation of
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a simulation and another simulation after that —
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[“How dumb are you? You’re inside a simulation of a simulation inside another giant simulation!”]
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— and gets more and more annoyed with each realization.
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His annoyance mimics the audience’s in a bad “mind-bender” – fed up with the constant twists
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and turns and ready to know what’s real.
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All of these jokes make us aware of the way that stories tend to rely on easy, unexamined
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conventions.
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Rick and Morty is trying to avoid this form of copping out, by maintaining logical integrity
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in the way that its characters resolve their dilemmas.
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Rick and Morty is also picking apart itself like a sentient TV show asking, “What am
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I?”
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It begins by mixing up the formulas we expect.
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We’re used to seeing any show or movie begin with an exposition which sets up the upcoming
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plot lines.
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Rick and Morty sometimes gets rid of exposition all together.
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For example, here’s how the episode “Meeseeks and Destroy” begins.
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This plot doesn’t play any part in the actual episode or anywhere else in the show.
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Meanwhile, the title sequence features a lot of shots we never see on the show.
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This creates a strange “did I miss an episode?”
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feeling and suggests that Rick’s and Morty’s adventures go on whether we are watching or
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not.
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We sense that Rick & Morty’s multiverse has autonomy, existing outside what we observe
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– this disrupts the traditional hierarchy of viewer and show.
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The show also has a running self-commentary, like in the many times Rick breaks the fourth
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wall.
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When Rick and Morty are watching the Interdimensional Cable, Rick says about a show [“It’s got an
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almost improvisational tone”] We immediately recognize this statement to be a comment on
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Rick and Morty, because Justin Roiland often does break character and sound like he’s improvising.
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[“And it’s called…Two Brothers. Two Brothers. It’s just called Two Brothers.”]
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In “Meeseeks and Destroy,” Morty seems aware that his trips with Rick are stories
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— self-contained adventures-of-the week.[“You keep heckling my adventure, Rick!”]
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He even references Joseph Campbell’s monomyth: [“I’ll accept your call to adventure.”]
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We later get a call-back to Morty’s awareness of the serialized nature of his and Rick’s adventures.
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[“I, Morty Smith, invoke my right to choose one in every ten Rick and Morty adventures.’]
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By giving the characters lines that sound like writers room banter, the show gives the
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characters power over their own story through their self-awareness.
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Rick and Morty know about their own character arcs,
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[“That’s my series arc, Morty! If it takes nine seasons!”]
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which makes us think that — if we started
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looking at the stories of our own lives — maybe we could pay attention to our character arcs,
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So the show’s self-awareness challenges us to become a little more self-aware, too.
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[“I want you kids to look around you today and think about your future.
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Now is the time in your life when anything is possible.”]
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The Science Fiction genre has always used futures or alternate realities to comment
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on deep, close-to-home issues in our own society — think: slavery and freedom, or what it
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means to be human.
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Rick and Morty continues this tradition of deep-thinking Sci-Fi, but with a twist.
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They take the pathos down a notch and dial up some of the more ridiculous aspects of
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our culture.
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The sci-fi worlds Rick and Morty visit regularly overflow into the “regular” one Morty’s
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family inhabits.
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In other stories, this kind of intrusion typically elicits terror and shock — the muggles’
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world is always shaken when they witness magic.
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But Rick’s family reacts to alien intrusions with mild irritation or indifference.
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This goes to illustrate just how capable humans are of getting used to the weirdest things
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— we view something as ‘normal’ if it’s been around long enough.
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[“Traditionally, science fairs are a father-son thing.”
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“Well, scientifically, traditions are an idiot thing.”]
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This unfortunate trait is illustrated by Rick’s
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family’s selective blindness.
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Rick and Morty also hilariously infuses the sci-fi worlds with elements of our world,
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like our obsessions with networking,
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[“Nice to meet you, Morty! Listen, if you ever need anybody murdered, please give me a call.”]
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therapy,
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[“Does Grandpa turn himself into a pickle a lot?”]
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marketing,
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[“Advertising! Wow! So, people need help figuring out what to buy and then you help them?”]
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and using people for profit.
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[“No, no, no. They work for each other in exchange for money, which they then…”
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“That just sounds like slavery with extra steps!”]
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All of these jokes go to show that sometimes the social phenomena our world produces are
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actually stranger than an alien mosquito assassin, named Krombopulos Michael.
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Our brains are wired to make shortcuts wherever possible – every stereotype, cognitive bias
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or rule of thumb we possess is something our brains use to come to conclusions faster and
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save processing power for other things.
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Rick and Morty teaches us to undo some of this conditioning, to challenge our complacent
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approach by dismantling step by step the pre-packaged concepts we heavily lean on without realizing.
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It asks us to forget what we think we know, and meanwhile to allow ourselves to get a
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little wackier in our thinking,
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[“I’d like to order one large person with extra people please.”]
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so that we might arrive at something more original, profound
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and true.
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Ultimately, the plays on genre tropes and literalism do more than just add some humor
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and post-modernist-flair: they make us smarter, by teaching us to think like Rick.
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This post was previously published on Youtube.
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Photo credit: Screenshot from video

