In “Sully” the white-haired and mustached Tom Hanks as Sully wearily tells his wife played by Laura Linney on the phone, “… I did the best I could.” His wife knows he did. We do as well.
On January 15, 2009, Chesley “Sully” Sullenberger landed the crippled US Airways Flight 1549 on the Hudson River, saving the lives of 155 passengers and crew. Director Clint Eastwood tells the hero’s story in “Sully”, one of his best movies. Eastwood’s direction and Tom Hanks as Sully are stark and powerful in understatement. They honor all the heroes of the US Airways Flight. “Sully” is lean, clean, and inspiring—much like Eastwood. The conflict in “Sully” centers upon the investigation of whether Sully made the right choice. Hanks’s authenticity and humility evoke Sully’s strength and compassion. He reminds us that Sully did his best, and he got it right. “Sully” is one of the best movies of the year.
“Sully” follows the National Transportation Safety Board (NTSB) investigation into the airplane landing on the Hudson River. Todd Komarnicki’s screenplay based on the book by Chesley Sullenberger and Jeffrey Zaslow seamlessly intertwines flashbacks from the water landing and the NTSB proceedings. Eastwood effortlessly orchestrates the narrative of the startling images of the landing and the irony of the investigation. The visual effects of the plane landing on the Hudson are spectacular. Cinematographer Tom Stern captures the impact on a very personal scale. Water flooding the cabin. Sully and crew racing into action getting the passengers to safety. We see the fear in everyone’s face, and the courage to get through.
We are in awe. Eastwood and Komarnicki graciously acknowledge the community of heroes: from the ferry boat crew at the scene, the Coast Guard divers, to all the first responders and the police. And it starts with Sully. He has his anchors of support. Aaron Eckhart is loyal and solid as First Officer Jeff Skiles. He was his invaluable right hand during the unthinkable and during the investigation.
Just minutes into the flight, birds collide with the plane’s engines. Sully notices that they lost thrust in both engines, forcing them to choose an emergency landing. Eckhart is smart and subtle in his unwavering support of Hank’s Sully through it all. Laura Linney amazes as Sully’s wife Lorraine, his emotional rock. Sully has his doubts, and she is always there for him. Linney is relegated by the story to phone conversations with Sully. She beautifully accentuates that what Sully does sources from their profound relationship. That also goes for Eckhart. They all see the best in each other.
At the story arc Hanks as Sully graciously acknowledges all the heroes involved. We are also present to that he is a catalyst for heroes emerging. Everyone involved was grateful to Sully. Eastwood is succinct in the irony of it all. Sully did his best and saved 155 people. The NTSB scrutinized whether there were other viable alternatives. What Sully did worked in an unprecedented crisis. Period.
The music in “Sully” both eloquently highlights and undercuts the range of emotions. Christian Jacob and the Tierney Sutton Band composed the score from Clint Eastwood’s musical theme. The music’s clarity and simplicity embody the movie’s quiet heroism.
“Sully” is beautiful simplicity and power. Eastwood and Hanks celebrate people selflessly doing their best to make a difference. One of the measures of a hero is that he or she acknowledges and inspires other heroes. “Sully” does all that and more. It is one of the best movies of the year.
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