Dialogue for Video No. 2, Which I Haven’t Made Yet, Probably an Irreverent, Biased-Like-the-Washington-Post and Immature Take on a Sunday in the Life of Relevant Customers With Their Relevant 3 Year Olds in the Local Relevant Coffee Shop

Dear Myra Francophile –

Your writing, an effective (or is it “affective”?) novel incarnation—veritable prose Haiku—is extra, extra extraordinary.  I like your repetitive and apparently habitual and unconscionable use of the words “epidermis” and “epidermal” during your descriptions of human, mammalian, unconscionable, beast-with-two-backs sexual intercourse.  Your words are more libidoesque, societally offensive and tasteless than Walter (“Walt”) Whitman’s phrase “the hum of your valved voice.”  Your work is God-damned censorable in this, the sacred year 2012, which is led honorably—I dare say, correctly—by self-avowed honorable Democrats and Republicans and Ron Paul.  Why not expand your short paragraphs into plays written like  immortals such as Anton Pavlovich Chekhov or Bertolt Eugen Berthold Friedrich Brecht?  I write to you truly, like Thomas Jefferson, John Jay and other Founders of this proudly flag-flying country whose minimum age is a little low.

Sincerely,

– Ralph Harry Friedgen

About Tim Ruane

Tim Ruane is an artist and writer. He is a graduate of Georgetown University, where he studied English and art, and has worked as a chief copy editor in the editorial department of The Washington Post, where he has also worked as a freelance photographer. He has written hundreds of poems, two novels a number of short stories. His photographs have been published by The Washington Post, Simon & Schuster and The Good Men Project. He has shown his photographs at Potomac MD Public Library and is scheduled to be published in ShareArt LA, Circumfleks Magazine and Splinter Literary Journal. He will have an exhibition of his photographs in September at the offices of Prudential FedRealty in Washington D.C. Mr. Ruane lives and works in Garrett Park MD, just outside Washington D.C. USA.

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