Static definitely had the best potential of all DC Superheroes of Color… and should have treated like an A-list character, with a huge push.
But, of course, I'm not in the least bit surprised that this is how it turned out.
I went into Static Shock with a lot of high hopes. Among them was showing that Static wasn't simply an A-list character, but one of the most powerful in the DCnU. I really wanted this series to be fun and exciting and to bring the same degree of creativity to it that I put into Xombi balanced with making Virgil's personal life at least as engaging as his superhero life. I also saw Static Shock as an excellent gateway through which to pull the rest of the Milestone characters into the DCnU.
I quickly learned that none of these plans were going to see fruition. I wound up being shunted to the sidelines as the writer while Scott McDaniel's "high concept" criminal syndicate made up of Power Rangers and a big monosyllabic thug took center stage and Harvey [Richards, editor]'s ideas of the 2 Sharon's and slicing off Static's arm were implemented as desperate means of trying to draw attention to the book.
I tried my best to keep it from being a total turd, but as I said, I was completely sidelined. My main contributions were the Pale Man character, Guillotina, naming the school after Dwayne McDuffie, and including Hardware, along with random lines of dialogue. I decided it was unethical to stick with a title that a) I thought was garbage b) that people were buying because of my involvement, due to Xombi, when really I had nothing to do with it c) because I wasn't being utilized on the title.
Frankly, Static deserved a lot better.
Not exactly the best or most auspicious beginning for the character, given the shabby handling of Marc Bernardin, who just got assigned the title, but it gives an interesting look at the inner workings of DC's editorial process, especially in regards to people and characters of color.