Hugh Jackman and Jake Gyllenhaal are absolutely powerful in Director Denis Villeneuve’s dark and mesmerizing “Prisoners”. “Prisoners” has the look and resonance of Clint Eastwood’s “Mystic River”. This haunting morality play is one of best movies of the year. Jackman gives perhaps his best and most unexpected performance. Jackman’s sheer ferocity in the tipping point of human conscience is amazing to behold. His bold vulnerability clutches our very soul. This is equally surprising given his signature as the Wolverine. I literally cringed as he threatens terrified Paul Dano as Alex with a steel hammer. In stark contrast, there is a quiet scene as tears stream down his cheek as he stares at police photos.
Gyllenhaal as Jackman’s antagonist foil is an undeniable force. Much like Kevin Bacon in “Mystic River” Gyllenhaal’s Detective Loki struggles between duty and the visceral justice. Villeneuve and Writer Guzikowski curiously never spell out Loki’s physical glitches neither the gang banger tattoos. Have to admire them for respecting audience intelligence. Gyllenhaal’s immersion is breathtaking whether he is comforting Viola Davis’s Nancy about her missing daughter or smashing the head of suspect on a table. His screen partnership with Jackman is awesome, we witness amazing actors at the zenith of their prowess. Villeneuve is brilliant in restraining and balancing such intense performances without sacrificing purpose.
We first hear Jackman’s voice as Keller Dover reciting The Lord’s Prayer on a deer hunting trip with his son Ralph (Dylan Minnette, who is going to surprise many). Keller is a struggling carpenter, and closet survivalist. He is a family man and man of faith. Aaron Guzikowski’s story’s deceptive power lies in the normalcy of a Pennsylvania suburb. He foreshadows the tragic forfeit as the ends overcome the means. Roger Deakins’s (“True Grit”) cinematography is a profound character onto itself bestowing pristine clarity in this conflict of dark and gray.
The Dovers’ spend Thanksgiving with Frank and Nancy Birch (Terrence Howard and Viola Davis). The terrifying realization sets in that their youngest daughters Anna (Erin Gerasimovich) and Joy (Kyla Drew Simmons) are missing. After frantic search in the rain, Police are called. A creepy suspect Alex Jones (brilliantly unnerving Paul Dano) emerges as the possible kidnapper. Alex also has the mind of a 10 year old.
Alex is released without any solid evidence. However, Keller is convinced from an admission by Alex, that he knows where his daughter Anna is. He takes matters into his own, and imprisons Alex and tortures him until he tells him what he wants. Howard’s Franklin is mortified by Keller’s actions. Keller says, “Someone had to make him talk, or they’re going to die!” Viola Davis as Nancy is rock solid in shocking advocacy. Mario Bello as Keller’s wife Grace is sympathetic grace as a mother suffering the unthinkable. Melissa Leo is amazing as Holly Jones, Alex’s Aunt and guardian. Her ordinary persona belies tragedy.
All is not what seems. Keller and Loki have the same purpose in divergent paths, and make costly sacrifices. Villeneuve reminds that sometimes the world is ugly, and in resolution our souls are in the balance. Jackman and Gyllenhaal are awesome. The cast is amazing. “Prisoner” is not a pleasant movie to watch–not at all. “Prisoners” has profound power.
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Photo credit: Shutterstock, modified
Lisa – Have no idea what makes people share this review for a 6 year-old movie. “Prisoners” was not anywhere near being a hit.