
The café on Zamzama has bad lighting and worse music, but I come here every Thursday because the coffee is strong and no one asks me anything. I have been sitting in this corner booth for forty minutes, watching a couple argue quietly over a shared brownie, and it occurs to me that I haven’t thought of you in… twelve days.
Not once. Not even in the loose, peripheral way I used to… that low hum beneath the frequency of daily life, the way you used to live just below the surface of everything, always present, always almost there.
Twelve days. I counted backwards and checked. I almost felt proud. Then I felt something colder than pride.
I remember the months when forgetting you was hard. When I kept your voice notes undeleted, not because I was weak but because they were the last coordinates of something real.
Grief, back then, was a private country I shared only with you. If I let it go, I let you go entirely. And I wasn’t ready to be the only one holding the story.
So I held it. I carried the weight of it deliberately, the way you press a bruise just to remind yourself it’s still there.
But then something began. Not healing exactly… healing sounds too gentle, too purposeful. It was more like weather. The slow erosion of something coastal, cliff-face going to sand so gradually you only notice when the shape has changed entirely.
The voice notes didn’t disappear. I just stopped opening the folder. One week. Then two. Then one morning I updated my phone, and everything shifted to a new backup.
I realised I didn’t know if they’d transferred, and I didn’t check.
I didn’t check.
Tonight, clearing old files to free up storage, I found a voice note I’d forgotten existed… four minutes and twelve seconds. Your voice, younger somehow, reading me a poem you’d found, Hafiz, I think, because you knew I was having a bad week and you believed beauty was a cure for most things. I remember lying on my floor with my eyes closed, listening to you mispronounce beloved and thinking: this is it. This is what I have been waiting for my entire life.
I played it tonight in the café, one earbud in.
You still mispronounce beloved.
And I felt, not pain. Not warmth. Something quieter and more unsettling. A mild, distant recognition, the way you might feel finding a photograph of a city you visited once and liked but have no urgent need to return to.
I listened to all four minutes. I did not save it separately. I did not delete it either. I just let it sit there in the folder, unbothered, the way old things sit.
The couple by the window has stopped arguing. They’re splitting the brownie now, not speaking, and there is something tender in the silence between them that I recognise but cannot feel my way back into.
Here is what I know about you now: you are living somewhere in defence, still reading poetry to women who deserve it, still mispronouncing words with that careless confidence that used to make me furious and adoring in equal measure. You are loving someone the way you loved me, which is to say, enormously, temporarily, with full sincerity and no foresight.
And she is probably lying on her floor at this very moment, eyes closed, thinking: this is it.
I don’t begrudge her that.
I begrudge neither of you anything.
And the strange part, the part I keep turning over, is that I am not diminished. I thought I would be. I thought losing you would leave something dramatic enough to at least produce a scar worth showing.
Instead, I am just rearranged. I am a room where the furniture has been moved and then moved back, and now I can’t quite remember where anything used to stand. The feeling isn’t grief. It isn’t peace either. It is something thinner than both: a faint, impersonal sadness for the girl who pressed her ear to her phone at midnight, certain she was at the centre of the greatest love story she would ever know.
She wasn’t wrong, exactly. It was the greatest love story she’d known up to that point. But great is not the same as permanent, and the centre of a story is not always where it ends.
I finish my coffee. I tip more than I should. I step out onto Zamzama, and the city is doing what cities do at this hour… car horns, a vendor packing up, a woman on a motorbike with her dupatta streaming behind her like a sentence that hasn’t finished yet.
You are somewhere in this city, real and ordinary and no longer mine.
And I am here, walking home, not looking for you in anyone’s face.
The story we wrote was not the whole book. It wasn’t even the longest chapter. It was a beginning… handwritten and urgent, the way all beginnings are, before you learn that urgency is not the same as permanence, and love is not the same as direction.
I know where I’m going now.
You are not on the way.
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This post was previously published on medium.com.
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Photo credit: Kelly Sikkema on Unsplash